It seems that the pearl and material wealth in general brings out the greed in the people who seek it. Kino sacrifices everything that matters to him in his desire to keep the pearl and get the best price. He looks into the pearl like a crystal ball and sees a vision of himself and Juana in the church, dressed in fancy clothes, finally getting officially married.
Kino also wants to buy a rifle, a harpoon, and some new clothes for the family, but more importantly, he wants to be able to send Coyotito to school. It thus comes to symbolize the destructive nature of materialism. Again at the end of the chapter chapter four , Juana wants to throw away the pearl because it is evil.
What evil thing happened? She went towards the shore to try to throw the pearl away. Kino is afraid the Gods will see his success he got on his own and take revenge on him for not giving back. Kino is getting ready to fight the townspeople that are responsible for stealing his pearl. How does Kino feel about the Doctor after he puts medicine in Coyotito to save him?
That someone will steal the pearl. He was afraid of making plans, but now that he had one, he could never destroy it. Begin typing your search term above and press enter to search. Press ESC to cancel. Skip to content Home Dissertation Why does Juana know that the old life was gone forever? Ben Davis January 24, Kino stares at the pearl to read his future. He lies to Juana, telling her that he sees a rifle, a marriage in a church, and an education for Coyotito.
In truth Kino sees a body bleeding on the ground, Juana making her way home through the night after being beaten, and Coyotito's face swollen as though he were sick. The pearl is a symbol of wealth which is quite ambivalent in its nature throughout the novel. When Kino first finds the pearl , it is a symbol of hope and salvation.
But like wealth, the pearl represents all the evil in the world. It seems all the greed and evil surfaces in the presence of wealth. Expert Answers info Kino did not sell his pearl for fifteen hundred pesos because, as an experienced pearl diver, he knew that his pearl was worth much more.
The pearl merchants, however, are working for one main buyer who pays them a salary rather than a portion of the profit. Chapter 5. Kino opens his eyes in the darkness to see Juana gliding about like a shadow.
He watches her silently leave their hut and follows her out to the beach in a rage. Kino manages to stop her just as she is about to throw the pearl into the water. The doctor - A small-time colonial who dreams of returning to a bourgeois European lifestyle. The doctor initially refuses to treat Coyotito but changes his mind after learning that Kino has found a great pearl. He represents the arrogance, condescension, and greed at the heart of colonial society.
It is clear that throughout the novella Kino changes greatly thanks to the introduction of the pearl into his life. His face becomes "crafty" when he thinks of what he must do to sell the pearl. In the next chapter, when Juana tries to dispose of the pearl , he hisses at her "like a snake" with bared teeth, hitting her. Kino Character Analysis. He lives with his wife, Juana, and their son, Coyotito , in a brush house near the Gulf Sea. Why does Juana follow on his path of life even if she disagrees with some of his choices?
She thinks that she can calm his madness down and she also wants to respect and support his decisions. Kino has allowed the Pearl to take over his life at the expense of everything else in his life. Kino's antagonist is the beautiful pearl , which breeds greed, envy, and evil amongst the people around Kino, who are jealous of his newfound wealth.
One of the main things Coyotito symbolizes is innocence. Coyotito isn't the one with the pearl , but he still pays the price of Kino's foolishness.
He shakes the box and reaches for the scorpion because He doesn't know it can hurt him. Yet, when the scorpion bites Coyotito, there suddenly emerges a new and different Juana. Even though she prays both to some primitive gods and also to the Virgin Mary before Coyotito is bitten, as soon as the scorpion bites him, she springs to the baby's aid, grabbing him up and sucking the poison from his wound.
She is much more effective and practical than is Kino, who expends his fury by grinding the scorpion to a pulp. Juana is much more efficient as she takes control, and to the astonishment of the entire village, she announces that she wants a doctor for the baby — a thing unheard of because the doctor has never visited the peasant village. When she is told that the doctor will not come, without hesitation, she decides that they must take Coyotito to the doctor — an event so strange that the entire village follows along behind them.
On the basis of the above actions, we can see that Juana is not merely the obeying, subservient wife. Instead, there is a determination and an assertiveness which is not usual in women of this type. Her fierce and passionate love for her son is immediately apparent in her actions. Later her hatred for the pearl is apparent because she knows that the pearl threatens her family and, thus, it threatens her entire existence. Obedient as she usually is, when her world is threatened, she can become as determined and as fierce as a lioness.
Juana, like the other natives, is a product of two civilizations. She is filled with superstitious belief, as is noted when the scorpion bites Coyotito, and when she prays, she invokes the help of her native gods, and, for good measure, she also utters one Hail Mary. When Juana discovers that Kino has found the Pearl of the World, she pretends that she does not see this wonderful object because she fears that if she looks and shows too much pleasure, it might displease the gods in power.
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